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Showing posts from July, 2009

Superhero Smackdowns? Who Needs 'Em?

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Superman Returns, the most recent attempt to bring The Man of Steel to the big screen was a relative box-office failure and drew more than its fair share of criticism from fans and casual movie goers alike. Personally, I rather enjoyed it (note: as of 2012, I can honestly say that this is not a movie that has aged all that well so take the next bit with a pile of salt) thanks to some wonderful direction, spectacular set pieces, good performances and a real grasp of the sense of wonder and hope that Superman should elicit. Sure enough though, on a script level, it was a bit of train wreck. I am more than willing to take on board that the script was illogically structured, badly thought out and featuring some real head-scratching decisions in the form of Lex Luthor's moronic masterplan and the distracting inclusion of the Super-kid. On the other hand, one criticism that has been levelled at the film time and time again that I have absolutely no time for is the idea that it was a we

So, About That Canadian Americana... Also Some Belated Thoughts On That Jackson Fella.

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Just to finish off my review of my favourite stuff from a few weeks ago, here's a few thoughts for my music pick of the week: Tonight at the Arizona by The Felice Brothers. As anyone who even remotely knows me might be able to tell you I generally prefer music from the 60s and 70s to what's being produced today. I do need to stress the word "generally" though because I am finding more and more stuff recorded more recently that I really enjoy - though, sure enough, very little of it gets much in the way of play on mainstream, Top 40 radio or MTV. One complaint that I still have about a great many of these newer acts (and indeed, new releases from many music veterans) is that even if I really like the music the way it's recorded leaves a lot to be desired. The latest and greatest in recording technology should in theory make music sound better than ever but a hell of a lot of the time it makes things a whole lot worse. Far too many albums released in this digital ag

The Week That Was: Classical Composers, Canadian Americana, Lipstick Lesbians, Crime-Scene Cleanups and Naff Holocaust Films. (Part 2)

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OK, so, as per usual, I've fallen a bit behind here. The week that was is quickly becoming the week that was two weeks ago. As such, I'm going to keep the reviews of the three films that I want to talk about rather short - at least for the first two, any way. Film of the Week: Sunshine Cleaning Every poster, trailer and promotional item for this film have made it abundantly clear that it is by the same producer as Little Miss Sunshine. They even included the word "sunshine" in the title just in case you didn't yet understand that this was by the same people who brought you (in this case supplied the financing for, rather than actually making) that Oscar-nominated little indie flick from a few years back. The good news is that it's actually a better film than the somewhat overrated Little Miss Sunshine. It is also much more noticeably a drama than its not-really-predecessor and I don't really understand why so many people have labelled it a "black come