Adult World
Really, what's with the hate?
This review is also up at Channel 24
This review is also up at Channel 24
What it's about
An idealistic
young poet is given a ultimatum by her parents to get a “real”
job or move out. Doing both, she soon finds herself living among a
group of bohemian misfits and working (badly) as a clerk at Adult
World a mom and pop (literally) porn shop but it's when she meets and
forces herself into the life of her hero – an unsuccessful, cynical
middle-aged poet – that things really start to get interesting.
What we thought
Along with certain
similarities to indie-gem Igby Goes Down, in many respects, Adult
World is the sprightly, more idealistic younger sister of the Coen
brothers' Inside Llewyn Davis. It doesn't hold a candle to the Coens'
stone-cold masterpiece, of course (what does?), but it certainly
deserves more respect than it has gotten so far. Opening to weak
reviews, worse box office and a tepid audience response, I doubt
Adult World will find much of an audience in this country either, but
– and I promise, I'm not just being a contrarian here – I really,
really liked it.
Admittedly, as
someone who is trying to make a career out of one of these
“ridiculous” semi-creative jobs (hey, you try reviewing a
thousand mediocre films a year without being at least a bit
creative!) our heroine's story resonated particularly strongly with
me in much the same way that Llewyn Davis' did, but I do genuinely
think that Adult World is a smart, heartfelt and massively enjoyable
little comedy-drama.
Being a quirky
indie-dramedy, it's obviously not perfect and it certainly never
exhibits even a faction of the artistry of Inside Llewyn Davis (not
to mention the killer soundtrack) but that doesn't stop it from being
all kinds of awesome in its own right. It is baggy, tonally
inconsistent and occasionally too precious for its own good but
that's pretty much the modus operandi for the genre in general and,
unlike most of the independent or independently-spirited moves that
have come out in the last couples of months (I'm looking especially
at you, Hateship Loveship) it more than overcomes such weaknesses.
Emma Roberts, for
a start, really holds the thing together as she takes a character
that could have been seriously annoying and turns her into someone
that audiences can love, sympathize with and relate to. As Amy,
Roberts wins us over with her mix of naïve optimism, wide-eyed
ideals and general adorableness (and I mean that in the best way
possible), before breaking our hearts as her dreams are crushed and
her reality shattered. Her story is far from tragic but Roberts
portrays the character's loss of innocence perfectly as she
transitions from sheltered adolescence into the – if you excuse the
film's very obviously intentional pun - adult world.
Without a great
script and smart direction, of course, Roberts' excellent performance
would have been wasted. Fortunately, with its controlled direction
and smart, empathetic and very funny script that's certainly not the
case here. I love a good coming of age story (especially if you mix
it in with a bit of existentialism) and Adult World is simply a
really, really good coming-of-age film with an existentialist slant.
The film's real
secret weapon though, is Jon Cusack. As I was driving to attend the
press screening of this film, I was silently lamenting the death of
this truly great comedic actor's career. Don't misunderstand me,
Cusack still routinely offers very strong dramatic performances in
even his weakest films but I have come to dearly miss the John Cusack
who offered up timeless comic performances in such classic comedies
as the Sure Thing, Better Off Dead and, of course, High Fidelity. His
character in Adult World though, feels like a true return to form.
He's curmudgeonly here to be sure, but he's also hilariously funny
and his character's relationship with Amy is really the heart of the
film. Adult World is filled with uniformly excellent supporting
performances but it's Cusack who all but entirely steals the show.
I realise that
with Guardians of the Galaxy still cooking up a storm in cinemas
everywhere and this week's release of the massively charming family
comedy-drama, Chef, Adult World might get lost in the mix, but if
anything in this review sounds at all appealing to you, do yourself a
favour and hunt down a showing of Adult World. It's easily one of the
year's most overlooked gems.
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