Instructions Not Included
I'll have a Ninja Turtles review up soon but first a couple more interesting films.
This review is also up at Channel 24
This review is also up at Channel 24
What it's about
After a former
one-night-stand drops off his baby daughter at his door, Valentin
heads off to America to find her but ends up creating a new life for
himself and his child.
What we thought
Instructions Not
Included is apparently the highest grossing Spanish-language film of
all time in America and it's not that hard to see why. For a start,
about a third of the film is actually in English so, presumably, that
helped increase its accessibility but considering how familiar and
comforting its story is, it doesn't really need much help as far as
that goes.
Indeed, while
there is an absolute fortune to like about this wonderfully charming
little story, it's hardly overflowing with originality and it's
certainly not afraid of wearing both its sentimentality and its
cliches on its sleeve. It's presumably going to show exclusively at
art cinemas but this isn't exactly a Pan's Labyrinth or an Y Tu Mama
Tambien. It's a good, solid little dramedy but it is the very
definition of mainstream. Not that there's anything wrong with that,
of course. Hell, it's nice to get the occasional foreign language
film that isn't aimed chiefly at “high brow” audiences.
At its core,
Instructions Not Included is a simple story about the relationship
between a father and a daughter (his daughter, to be exact) but the
reason why it works as well as it does is because of the great
characterization of both our leading characters. It has a surprising
amount of twists for this sort of thing and its script is certainly
witty enough but the main reason it easily transcends its perhaps
overly familiar set up and its occasional tonal inconsistencies, is
that you simply enjoy spending time with the quirky Valentin (Eugenio
Derbez, who also directs the film) and his precocious, yet
endearingly innocent daughter, Maggie (Loreto Peralta).
Valentin starts
off the film as a bit of a cad, whose ability to get seemingly every
woman he meets into bed does seem to be a bit of a stretch since he
is, when you get right down to it, a bit of a bum, but, as you may
expect his life changes quite considerably when the responsibility of
raising a daughter is unexpectedly thrust upon him. Interestingly
though, while he is willing to do anything for his daughter – a
fact that somehow launches him into a quite lucrative career as a top
Hollywood stuntman – he's never what anyone would consider a
conventional father.
Not only does
Valentin spoil his daughter and sees nothing at all wrong with that
(and, to be fair, there is actually very little bratty about Maggie)
he creates a fantasy world around her by sending her fake letters
from her loving, Lara-Croft-like (or Indiana-Jones-like, even) mother
who is always only one great adventure away from returning home. When
Maggie's mother does actually return to her life, however, things get
quite unsurprisingly complicated.
The film explores
what it means to be a “good father”, the role that imagination
plays in a child's development and whether it is correct to shield a
child from the harsh realities of life – an idea that reaches a
head in the film's emotionally climactic final act. It is not,
however, any sort of intellectual treatise but is rather a big
hearted, effortlessly warm story that is not afraid to tug on the
heartstrings every bit as often as it tickles the funny bone. It has
good performances, terrific characters and a nicely wry script.
Admittedly, things do occasionally get away from Derbez as he tries
to cram a lot into the film's luxurious 115-minute running-time but
any flaws the film has are largely made up for by its unabashed
humanity.
It ain't a
masterpiece but it's well worth checking out.
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