Lone Survivor
Marky Mark goes Apocalypse Now! The result's a lot less funny than you'd think.
As a war drama, it doesn't really do much better, either. The actual storyline is very bare bones, which would, of course, be perfectly fine but it's backed up with neither compelling characters, nor any sense of having something to say. On the former point, our heroes are entirely undeveloped and show little in the way of real personality, while the Taliban soldiers are little more than a faceless evil. Even the civilians that are caught between the two are strictly two-dimensional – if, admittedly, inspiringly heroic as they often stand up to the brutish Taliban. There are clearly plenty of heroic people in this cast of real-life characters so it feels churlish, if not outright disrespectful, to dismiss them but, whatever you might say about them as flesh-and-blood real life heroes, they are utterly inert as dramatic constructs.
This review is also up at Channel 24
What it's about
Navy
Seal, Marcus Luttrell, and his team embark on a mission to capture or
kill a Taliban terrorist leader but their mission is soon compromised
as a group of mountain herders happen upon them. Before long, the
hunters become the prey as the Seals are faced with a fight for their
very lives against overwhelming Taliban forces. Based on a true
story.
What we thought
Lone
Survivor is a difficult film to review. On the one hand, it's
technically impressive as veteran director Peter Berg (Friday Night
Lights, The Kingdom) bounces back from the utterly atrocious
Battleship with a war film that actually convinces as a realistic
depiction of the horrors of war. It's well acted (it's pretty much
impossible to dislike Mark Wahlberg these days), beautifully shot and
boasts some of the year's best sound design. Unfortunately, it's also
a total bore.
First
and foremost, while it's all very well that it's based on a book of
the same title, which is itself based on largely true events, the
film's title is a total spoiler that robs the action of even the
slightest amount of suspense – and that's not even taking into
account the fact that the first five minutes of the film reveal
exactly who survives (hint: he's on the poster). This may be a
“serious” war film but it's unquestionably the case that, at
least on one level, it's trying to work as an action thriller. Not
that it comes close to succeeding. The action scenes are well shot
but because you know exactly what's going to happen, it's hard to get
too invested. Worse though, are the quieter moments that are
theoretically supposed to amp up the tension but, as there's no
actual tension, they end up being merely excruciatingly tedious.
As a war drama, it doesn't really do much better, either. The actual storyline is very bare bones, which would, of course, be perfectly fine but it's backed up with neither compelling characters, nor any sense of having something to say. On the former point, our heroes are entirely undeveloped and show little in the way of real personality, while the Taliban soldiers are little more than a faceless evil. Even the civilians that are caught between the two are strictly two-dimensional – if, admittedly, inspiringly heroic as they often stand up to the brutish Taliban. There are clearly plenty of heroic people in this cast of real-life characters so it feels churlish, if not outright disrespectful, to dismiss them but, whatever you might say about them as flesh-and-blood real life heroes, they are utterly inert as dramatic constructs.
Then
there's the “message” of the film. This is clearly not a movie of
moral complexity or political intrigue but is, very simply, a recount
of a group of young soldiers trying to survive against impossible
odds. The American soldiers are the goodies, the Taliban guerillas
are the baddies and though that may be broadly accurate, it certainly
doesn't reflect any of the complexities of the situation and, despite
only really focusing on a handful of soldiers, it never really gives
us a sense of an individual's view of the war. Yes, there are also
the brave villagers but the film has little more to say about them
than the fact that they are heroic and that, hey, not all Afghanis
support this fringe extremist group. Who knew, right?
The
only thing, then, that the film really has to say is that war is,
like, bad, m'kay? Again, who knew? I mean sure, it's a point that is
damn near impossible to argue against but how many war movies do we
have to see with this exact same theme? Especially when so many war
stories do it so much better than it is here. Stuff like Apocalypse
Now or Garth Ennis' war comics, show just how powerful the “war is
hell” theme can be but that's because they're always backed by
strong characters, thematic richness, memorable stylistic choices
and/ or a powerful emotional under- (or over-) current. Lone Survivor
tells us that “war is hell” but that's all it tells us. That may
be enough for war-movie junkies, but it certainly isn't enough for
me.
Comments
Post a Comment