Hail, Caesar!
That exclamation mark is definitely earned. Even by their standards, the Coen Brothers' latest comedy is an extremely ramshackle, structureless affair, but is precisely this restlessness that gives Hail, Caesar! much of its sparkiness. Effectively a love letter to post-War Hollywood (as opposed to the troubling depiction of the same period in Trumbo), the film flits from the film's main star and grounding force, Josh Brolin, a studio man confronted with the chance to leave the madnes behind for a much cushier job in the arms business, to what are basically small, extremely funny vignettes of the Hollywood machine running at full steam. The all-star supporting cast are largely relegated to, at best, extended cameos but they're all utterly brilliant in however long their screen time happens to be, as the Coens once again get only the best comedic performances from their actors. Similarly, just because the film's plot is extremely loose and it seem sto be mostly a co...